TK CANON CLOG3 / REC709
After getting asked how I grade my footage, I was inspired to create a conversion LUT for CLOG3 that is natural and beautiful. With this conversion LUT, I went for a natural clean base where you have the latitude to add / take away contrast, sat, etc. Some conversion LUTs are pretty stylized and contrasty, and I found this approach to be my favorite.
Created in Davinci Resolve, designed for Canon CLOG3
Recommended Settings: CLOG3, Cinema Gamut
For Premiere users, use the creative tab in Lumetri, to adjust the strength needed as to preference. I use 100% for every LUT I make.
NOTES:
It’s important to expose properly, LUTs are not the end all be all form of color grading, they are a base to build off of. Luts should be used as a tool not a crutch!
Every single image is slightly different in framing, color, and lighting. These luts like any luts will require slight adjustments.
This REC709 LUT is my favorite way to get my CLOG3 footage in the right color space to then grade on top of.
When I update / tweak this LUT you will receive a free update!
LUTs / Powergrades / Presets are non-refundable*
Any person found trying to re-sell these products will be prosecuted*
send me your videos that use this lut! Tag me on ig @thomaskovacik
After getting asked how I grade my footage, I was inspired to create a conversion LUT for CLOG3 that is natural and beautiful. With this conversion LUT, I went for a natural clean base where you have the latitude to add / take away contrast, sat, etc. Some conversion LUTs are pretty stylized and contrasty, and I found this approach to be my favorite.
Created in Davinci Resolve, designed for Canon CLOG3
Recommended Settings: CLOG3, Cinema Gamut
For Premiere users, use the creative tab in Lumetri, to adjust the strength needed as to preference. I use 100% for every LUT I make.
NOTES:
It’s important to expose properly, LUTs are not the end all be all form of color grading, they are a base to build off of. Luts should be used as a tool not a crutch!
Every single image is slightly different in framing, color, and lighting. These luts like any luts will require slight adjustments.
This REC709 LUT is my favorite way to get my CLOG3 footage in the right color space to then grade on top of.
When I update / tweak this LUT you will receive a free update!
LUTs / Powergrades / Presets are non-refundable*
Any person found trying to re-sell these products will be prosecuted*
send me your videos that use this lut! Tag me on ig @thomaskovacik
After getting asked how I grade my footage, I was inspired to create a conversion LUT for CLOG3 that is natural and beautiful. With this conversion LUT, I went for a natural clean base where you have the latitude to add / take away contrast, sat, etc. Some conversion LUTs are pretty stylized and contrasty, and I found this approach to be my favorite.
Created in Davinci Resolve, designed for Canon CLOG3
Recommended Settings: CLOG3, Cinema Gamut
For Premiere users, use the creative tab in Lumetri, to adjust the strength needed as to preference. I use 100% for every LUT I make.
NOTES:
It’s important to expose properly, LUTs are not the end all be all form of color grading, they are a base to build off of. Luts should be used as a tool not a crutch!
Every single image is slightly different in framing, color, and lighting. These luts like any luts will require slight adjustments.
This REC709 LUT is my favorite way to get my CLOG3 footage in the right color space to then grade on top of.
When I update / tweak this LUT you will receive a free update!
LUTs / Powergrades / Presets are non-refundable*
Any person found trying to re-sell these products will be prosecuted*
send me your videos that use this lut! Tag me on ig @thomaskovacik